July Weekend Pencil Tests

Here's the latest scene I've finished in-betweening, with some help from Steve's students as well. It's a walk that moves with a panning background and comes to a stop. Underneath the camera I fudged the entrance of the monkey a bit by just moving a drawing off the pegs in stop-motion fashion, just to get a rough idea of how he will come into the frame. It's not perfect. The whole logistics behind the pan are somewhat guess-work. This is one shot I'm not entirely confident with in terms of the technical side of the layout. It will start in 11-field and zoom in slightly to 8-field when the monkey lashes out. The elephant is saying "What's wrong?" and the monkey says "I'll TELL you what's wrong!" A few more cushion frames needed for the elephant at the end...I stayed up til 1am with this scene already though. :P-ppfft!



And here is the final version of the elephant eating peanuts off the ground.

Finland Podcast

Recently an animator from Finland, Juha Niemi, interviewed me for his filmmaking podcast.

You can find the KinoSilmä podcast from iTunes store or from the
webpage:
http://koskisuomi.tunk.org/

Here is also a direct link for the file:
http://koskisuomi.pp.fi/kinosilma/KinoSilma20070726.mp3

Starts with an introduction in Finnish, then moves on to the interview.

My Little Assistant

I had some help animating this weekend.

Whew!

Last night I was needlessly freakin' out a bit cuz there were some drawings I had shot last weekend and couldn't find them! I thought I might have brought them home, but they were nowhere to be found, and they weren't in my office either. Turns out I had left them by the pencil tester all week. Luckily, nobody threw them away. A non-crisis happily averted.

Animation is stressful.

Credits

I've been reminding myself I really need to make sure I keep a record of all the people who have been assisting me here & there on the film, so that when the credits roll I don't leave anyone out. On a production that takes this long, it's easy to forget things like this. So this is as good a place as any to keep track. Here's a rough list of credits so far:

Animation Assistants/Inbetweeners
Rick Curts
Kassandra Fry
See Hang
Chris Houghton
Jodie Hudson
Jennifer Isaak
Agata Matuszak
Carlos Miranda
Steve Stanchfield
Stephen Pearce

Voices
Nigel - Bob Godfrey
Baby Elephant - Jessica Esau
Big City Toad - Ken Priebe
Cranky Monkey - Charles Phillips
Kids - Ken & Janet Priebe

Backgrounds
Janet Priebe

Production Baby
Ariel Lynn

Special Thanks
God
My Family
Colin Johnson
Bill Matthews
Bonita Versh
Marcos Gonzalez
Students & Staff of VanArts

Dedicated to the memory of
Vickie Worth
and
Robert & Mary Priebe

Backgrounds!

We're now getting to the background stage! Yesterday my lovely wife Janet turned one of the layouts into a watercolor painting. So now we can start to get a glimpse of how color will factor into the 2D parts. This particular BG is during one of the more somber moments in the middle of the film, when the sky is overcast and cloudy. The elephant simply walks along the road (as happens in many, many, many shots!) and comes to a stop. Perhaps at some point soon I'll try doing a color test and place a frame of the elephant colored-in over top of this.

Until then, here's our first background...

Where Everything Happens

Here is my animation desk where the bulk of the film was animated on. It was built by Colin Johnson, who is "the man" in Vancouver who can create these things quickly and at a reasonable price. VanArts has kept him very busy over the years too. Note the glimpse of the infamous "Muppet Shelf" in the background. Resting on top of the desk is Lombydoo II, my stuffed leopard. Lombydoo I was my favorite stuffed toy as a child, who ran away to Australia to open up his own bar.



And here is the film so far in its resting place in the studio closet. About 40 scenes more-or-less completely animated and ready to scan! Just a few more out there being inbetweened or yet to complete.

Want a Peanut (in progress)?

This is a new version of a pencil test with some recently added in-betweens. The scene, as it is here, is still not complete. There will be a camera move zooming in as the elephant approaches the monkey, so that once they are together, it's more like an 8-field or 9-field two-shot and we're closer to the action. Plus, there are some cut-away close-up shots which will be inserted into the middle part, after the monkey starts growling. No sound here at the moment either...the monkey growls and the elephant (voiced by my church pastor's daughter Jessica) asks, "Want a peanut?" I'm thinking another blink by the elephant is in order, during that hold after the monkey glances quickly up at the elephant, and before he grabs the bag.

Final In-betweened Silhouette Walk

Hooray! Now the silhouetted walk has been in-betweened so he moves much smoother now.

Weekend Update

Over the weekend I managed to finish in-betweening the silhouetted elephant walk and fix the "picking peanuts off the ground" scene so I'll be shooting them sometime this week.

It's all very exciting.

Reflections on Making a Film

I just piped in to a NEW POST at Mark Mayerson's blog which talks about other animators' thoughts about creating an independent short. Nice to see that I'm not alone in this.

I've often felt that this film is just taking too long, and worried about whether or not it will all be worth it in the end...looks like these are normal feelings to have about the process. I know it's basically my own fault for making it as long as it is, and not sticking to something simpler or shorter. In the amount of time it's taken me to get this far, I could have probably created 3 or 4 shorter films. But I don't think about that too much. I'm happy doing what I'm doing and totally committed to finishing it. The work itself dictates how long it will take. It calls to me when it needs feeding, and lets me know when it's time to take a break. Perhaps this is why they call them "pet projects." I'm starting to sound like Madeline L'Engle, which is not a bad thing.

I also enliken it to my wife Janet's thoughts about her cross-stitching. She has a big box full of patterns that she started years ago, even from high school (which was over a decade ago now). Every now and then she'll pull out whichever one suits her fancy and chip away at it some more. Some of them she may never finish, and that's OK too. It's better to have a big box full of unfinished projects than nothing to work on at all.

Elephant Silhouetted Walk

Here is a brand new pencil test hot off the presses, from the weekend's animation. This shot, including the hill and the elephant himself, will all be colored black in silhouette. It's a rather familiar, almost cliched, kind of shot seen in other films, but I like the way it looks. He's basically walking along eating his bag of peanuts until he stops suddenly in his tracks. These are mostly keys that will have to be in-betweened as the next stage of finishing it off. I'm thinking that the stretch on his take when he comes to a stop might be a bit too exaggerated? Or maybe not... Any thoughts anyone has on this, I appreciate it.

Color Tests and Production Photos

Here are some color tests I did awhile ago in order to see how these characters might look in the final version. I'll be attempting to approach the scanning/coloring process in a way that will maintain the rough quality of the drawings, which are essentially cleaned-up right on top of the blue-pencil roughs. The result, which I like, is that of the Xerox look common to films like Winnie the Pooh where you can see the odd construction lines dance around, just like real drawings.







Here's me animating Nigel back in 2003 in our first one-bedroom apartment before my wife Janet & I moved into our current place. He was set up on a TV table between our computer desk and dining room table...rather cramped corners in those days!



And here are some photos of one of my scenes drying out after somehow getting wet...I don't remember how it happened.

Baby Elephant Walks

This is one of the final shots in the film, of the baby elephant (who has never been given a name other than "Baby Elephant") looking around and walking down the road. This shot was in-betweened, I do believe, by College for Creative Studies student Jodie Hudson, who did a great job.

Baby Elephant Eats Peanuts - original version

Here's the original version of the scene, including the bits I cut out.